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Representation matters. In an increasingly interconnected world, seeing diverse faces, voices, and stories is essential—not just for those represented but for everyone. When people see themselves authentically portrayed in media, fashion, business, and leadership, it validates their experiences and encourages pride in their unique identities. But the importance of representation goes beyond individuals; it enriches society, promoting empathy, cultural understanding, and breaking down stereotypes.
Today, there is a growing call to spotlight diverse perspectives, particularly from communities that have historically been marginalized or underrepresented. Bringing these stories to the forefront ensures a more accurate reflection of the world we live in and challenges outdated narratives that no longer serve us. Diversity in media, fashion, and business creates role models who inspire future generations to dream beyond boundaries and feel empowered to pursue their ambitions. |
Yet, there is still much work to be done. Authentic representation isn’t just about numbers—it’s about depth and nuance. This requires commitment from industries to not only feature diverse faces but to share genuine stories crafted by people from within those communities. It’s time to prioritize diversity and inclusivity, making representation an ongoing commitment that resonates in the lives of millions.
At its heart, the movement for representation is about creating a world where everyone feels seen, respected, and valued. By investing in true diversity, we build a stronger, more innovative, and compassionate society that celebrates all of its people.
I love MoAli, Badr, Chakib, Driss, Emir, Farid... In het Marokkaanse mannenalfabet van journaliste Raja Felgata komen ze allemaal aan bod. Op basis van de gesprekken die ze voerde met Marokkaanse en Nederlandse vrouwen trekt ze een opmerkelijke conclusie: ondanks de soms vrolijke verwarring, blijkt het datingcircuit met Marokkaanse mannen vaak een slagveld van verloren illusies.
De Marokkaanse man, die vaak een vrouw zoekt die zijn toekomstige kinderen kan verzorgen, bindt zich meer en meer aan een vrouw die geëmancipeerder, onafhankelijker en financieel daadkrachtiger is dan hij. I love Mo laat zien hoe mannen en vrouwen schipperen tussen verschillende werelden: aan de ene kant het thuisfront en de verwachtingen van de gemeenschap, aan de andere kant de drang naar zelfstandigheid en de innerlijke strijd om de juiste partnerkeuze te maken. Feminisme 3.0 - waar de Marokkaanse vrouw zich middenin bevindt. Ali, Badr, Chakib, Driss, Emir, Farid... In the Moroccan men's alphabet by journalist Raja Felgata, they are all featured. Based on the conversations she had with Moroccan and Dutch women, she draws a remarkable conclusion: despite the sometimes cheerful confusion, the dating circuit with Moroccan men often turns out to be a battlefield of lost illusions. The Moroccan man, who often seeks a woman to care for his future children, increasingly binds himself to a woman who is more emancipated, independent, and financially powerful than he is. *I love Mo* shows how men and women navigate between different worlds: on one side the home front and the expectations of the community, and on the other side the urge for independence and the inner struggle to make the right partner choice. Feminism 3.0 - where the Moroccan woman finds herself in the middle. |
A little bit about the creative directorRaja Felgata the creative director of The House of Representation. A media entrepreneur, editor-in-chief, of The Community Top 100, the MENA women’s platform MINA (a platform for women from the Middle East) and curator MOGAD'OR.
She advocates for better representation and portrayal of women and communities of color. Her areas of expertise include media representation, on-camera presentation, and storytelling. She was once the first newsreader of Moroccan descent at the local station AT5, and later, one of the first news anchors of color at KRO-NCRV, presenting the program Goedemorgen Nederland. She has also worked as an editor, reporter, and senior editor on various programs for different broadcasters. Currently, she is involved in incorporating new perspectives and stories into national and local campaigns for organizations such as the Dutch government and the city of Amsterdam. She is working on both fiction and non-fiction writing for international streamers and recently published her second book. 
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